5 Moments From the American Music Awards
Los Angeles County shattered its every day Covid-19 case file final week, however preparations for a dwell broadcast of the 2020 American Music Awards solid forward on the Microsoft Theater. The occasion, which was broadcast by ABC on Sunday night time, was the most recent in a handful of music awards exhibits which have mounted in-person, indoor productions within the final two weeks, together with the Nation Music Affiliation Awards (which made little point out of the pandemic) and the Latin Grammys (which absolutely acknowledged it).
The AMAs selected the Latin Grammys route: Dancers and musicians who weren’t singing wore masks, winners collected their trophies from a desk as an alternative of receiving them from presenters, and the restricted viewers was relegated to the theater’s higher balcony (whereas cardboard cutouts of Beyoncé and Jay-Z bought a front-row view). However regardless of all of the seen reminders of the pandemic, winners and presenters had little to say about it or different hot-button points. The night’s most pointed comment was about as sharp as a butter knife: The host Taraji P. Henson chided President Trump by saying, “We ain’t doing no recount,” in reference to the votes for artist of the 12 months.
Whereas the ceremony leaned towards the tame, a handful of artists managed to make an impression. Listed below are 5 of the night time’s most notable moments.
Billie Eilish taunted the digital camera.
She could also be destined to play arenas for the remainder of her profession, however Billie Eilish’s music tends to really feel extra claustrophobic than expansive. Performing her new single, “Due to this fact I Am,” Eilish packed her live-wire vitality contained in the slim corridors of a clean however colorfully illuminated set evocative of a James Turrell set up. Her brother and collaborator Finneas was available, dutifully masked and taking part in bass.
The video for “Due to this fact I Am” — during which Eilish gallivants round an deserted shopping center, digging her claws into assorted snacks — reeks of mischief. She introduced an identical vibe to the AMAs, saucily taunting the digital camera following her across the stage and demonstrating the earned confidence of somebody whose rule-bending methods have been rewarded. And after two subdued awards present performances — on the Grammys and the Oscars — it was a pleasure to see her crank up the vitality.
Taylor Swift doesn’t love the drama, it loves her.
Within the run-up to final 12 months’s AMAs, Taylor Swift’s efficiency celebrating her artist of the last decade honor was clouded by the query of whether or not she’d be allowed to play the hits that earned her that title. In line with Swift, Scooter Braun, the supervisor who had simply acquired the grasp recordings of her first six albums, was making an attempt to dam her from doing so. Ultimately, Swift carried out the songs, however the drama has endured, returning to the headlines final week as Braun bought her catalog to the funding agency Shamrock Capital.
Accepting this 12 months’s award for artist of the 12 months in a prerecorded clip, Swift made a degree of referencing the continuing saga. “The rationale I’m not there tonight is I’m truly rerecording all of my previous music within the studio the place we initially recorded it,” she mentioned, gesturing to her environment, seemingly a vocal sales space with a zodiac wall hanging.
Dua Lipa levitated, truly.
In certainly one of a handful of prerecorded segments that supplemented the dwell broadcast, Dua Lipa joined the get together from the Royal Albert Corridor in London. Usually extra comfy strutting and smoldering than outright dancing, she introduced her A sport for a efficiency of “Levitating,” trying extra rigorous choreography with help from a phalanx of leotard-clad backup dancers. When the digital camera panned away from Lipa within the bridge, it the setup for a wardrobe change. As an alternative, it led into the night’s most theatrical second: Lipa, now harnessed, ascended into the theater’s fly area, making for a delightfully literal supply of the track’s last lyric: “I’m levitating.”
Bell Biv DeVoe introduced old-school allure.
With its throwback efficiency, the R&B outfit Bell Biv DeVoe had essentially the most enjoyable with the least fuss. The trio, who first appeared on the AMAs in 1991, carried out in entrance of a slapdash, retro set in jewel-tone blazers and fedoras, step-touching their means by renditions of “Do Me!” and “Poison,” from their 1990 debut album. The general looseness of the efficiency set the group aside from the opposite boy band within the night time’s lineup, the ever-polished BTS. However with their unmistakably dwell vocals, BBD scored factors within the authenticity division; their efforts had been made all of the extra endearing by their dedication to hyping up a nonexistent crowd.
Hip-hop claimed some area.
In recognition of the “plain crossover success” of Latin and hip-hop artists, the AMAs launched a handful of recent classes this 12 months — a step towards redressing some historic blind spots. Rappers additionally bought important airtime all through the night time, particularly in comparison with final 12 months, when rap’s presence on the AMAs stage began and ended with a Travis Scott cameo. Megan Thee Stallion debuted “Physique,” from her new album, “Good Information” (although the track’s spice was considerably watered down by the community’s censors). Lil Child delivered a message about psychological well being with a efficiency of “Emotionally Scarred.” And 24kGoldn joined forces with Iann Dior for a buoyant “Temper.”
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