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A Bittersweet Juice WRLD Team-Up, and 13 More New Songs

A Bittersweet Juice WRLD Team-Up, and 13 More New Songs
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A Bittersweet Juice WRLD Team-Up, and 13 More New Songs

A Bittersweet Juice WRLD Staff-Up, and 13 Extra New Songs

Subsequent week marks one 12 months for the reason that loss of life of Juice WRLD, one among SoundCloud rap’s most promising luminaries. In honor of what would have been the Chicago star’s twenty second birthday, the producer Benny Blanco launched “Actual ___,” a beforehand unheard collaboration. Juice’s music typically luxuriates in gloom, however this monitor finds him at his most ecstatic: “Life’s good so I’m dwelling nice,” he proclaims, singing the earnest praises of holidays, wholesome consuming and leg day. However that unbridled pleasure makes the track much more poignant than his extra straightforwardly unhappy materials; he sounds so teeming with life he wouldn’t get an opportunity to stay. LINDSAY ZOLADZ

Rosalía lends her electrifying presence to one more sure-thing collaboration: a year-later remix of the Weeknd’s a-ha-meets-Michael Jackson blockbuster, “Blinding Lights.” By taking the primary verse, in Spanish, she turns it right into a lovers’ duet, way more tense and romantic than the unique. And it’s the Weeknd’s greatest revenge for being snubbed by the Grammys. However the place is Rosalía’s subsequent album? JON PARELES

With this theatrical pop-punk collaboration, Demi Lovato inches ever nearer to the desires of her teenage years, when she sang throaty Disney teen-pop and harbored a fascination with heavy metallic. JON CARAMANICA

“I’m uninterested in dumb boy speak,” Lili Trifilio sings, pulling no punches on “Good Women (Don’t Get Used),” the bouncy new single from Chicago indie-poppers Seaside Bunny. Trifilio’s lyrics are incisive, delivering a pent-up torrent of arduous truths to the noncommittal man who’s been sending her combined alerts: “Cease saying ‘it’s my dangerous,’ you’re performing like your deadbeat dad.” However the track, which is able to seem on the band’s upcoming “Blame Recreation” EP, is grounded in her triumphant sense of self, shaking off the insecurities she so endearingly confessed on Seaside Bunny’s breakout track “Promenade Queen.” “You’re not a ghost,” Trifilio shouts this time with hard-won confidence, “I’m not afraid of you!” ZOLADZ

“If” is technically the debut single from Toyko’s Nana Yamato — although she used to launch dreamy, homespun bedroom-pop tunes underneath the admittedly harder-to-Google title ANNA. The track is a promising preview of her debut album “Earlier than Dawn,” which will likely be out in February on Andrew Savage of Parquet Courts’ label Boring Instruments. Each catchy and just a little kitschy, “If” is propelled ahead by a jangly electrical guitar and sing-songy hook (“If you already know what I really want…”) however sometimes disrupted by charming, doodled tangents like random laser noises and an surprising trumpet solo. ZOLADZ

“Sin Miedo (del Amor y Otros Demonios),” the second album by the Colombian-American songwriter Kali Uchis, goes genre-hopping and era-hopping, from romantically retro orchestral bolero to brittle reggaeton. “Telepatía” (“Telepathy”) is a languid, bilingual neo-soul tease, with plush sustained chords and simulated horns, as Uchis laments that “the moon is full, my mattress is empty” and wonders about making love telepathically. PARELES

24kGoldn’s deceptively tense “Temper” just lately strummed its solution to the highest of the Billboard Sizzling 100. How does a comparatively untested artist observe so successful? Nicely, sure, with a star-studded remix (with Justin Bieber and J Balvin, although that proved ineffectual). However actually, the reply is a sideways sequel, a psst-psst half two, a brand new track that one might be forgiven for considering was merely the outro to the outdated one. Therefore, “Coco,” which is constructed on equally parched guitar, and which builds on the identical skepticism as “Temper.” There’s a perfunctory verse from DaBaby, however he doesn’t derail 24kGoldn’s dedication to grievance. Whining obtained him this far — why cease? CARAMANICA

Drake is an (emotionally) anxious rapper, his mentor Lil Wayne is an (energetically) anxious rapper. So it’s refreshing to listen to them go for a profitable calmness on this collaboration, over neo-soul manufacturing that sounds prefer it may have been an interlude from one of many “Lyricist Lounge” compilations. Drake ambiently muses on the standard stressors — “I is probably not good for her however I’m actual to her/Acquired no time for her however give Richard Mille to her.” Nevertheless it’s Lil Wayne who’s really Zen, afloat in a vortex of inner rhyme and syllabic cha-cha. CARAMANICA

Sophie Fustec’s mom is Venezuelan and her father is French; she was born in Paris. However as La Chica she writes lyrics in Spanish with bits of English. “La Loba” suggests a collaboration of Fiona Apple, Rosalía and Radiohead; La Chica sings, raps and screams a couple of legendary Mexican wolf-woman and sorceress, with an English chorus: “I choose up the bones.” A menacing piano riff paces the monitor, taking over chords, flamenco handclaps and vocal harmonies. The music turns surprisingly dulcet on the finish, as if the carnage all of the sudden subsided. PARELES

Launched on Britney Spears’s thirty ninth birthday, “Swimming within the Stars” is an outtake from “Glory,” her 2016 album that will likely be rereleased with extra tracks. Written by Matthew Koma, Dan Guide and Alexsei Misoul, it’s a gleaming, booming, step-by-step E.D.M.-pop buildup, a pulsing crescendo that opens an unlimited, echoey artificial expanse as Spears guarantees “We’ll glow and shimmer within the diamond lights.” With big-room dance flooring closed and empty, it looks like a relic from some distant pop universe. PARELES

Jenny Lewis recaptures a narcotic late-Sixties Velvet Underground taste — three chords sustained with drones, sitar and latter-day synthesizers — in “Unblu,” her collaboration with the Chicago rapper Serengeti. She and he share the query, “How lengthy will I wait so that you can grow to be un-blue?”; it’s not answered. PARELES

The chord development and measured tempo come from classic soul, together with the gospelly call-and-response ending and the organ obbligato. However most of the sonic trappings are from the digital period: digital vocal tweaks, backup voices peeking in and winking out, eerie spatial results, strings that may effectively be simulated. But an outdated spirit and message persist: persevere by tribulations. PARELES

When Sonny Rollins visited Vara Studio in Hilversum, Holland, in 1967, he was about to embark on a six-year hiatus from recording. As he did at numerous factors in his profession, Rollins took a step away from public performances largely to have interaction in a interval of examine, this time targeted on religious practices at an ashram in India. However simply forward of that new chapter, Rollins confirmed no indicators of fatigue on the set of recordings he made in Holland, that are being launched for the primary time through Resonance Information. Enjoying in a stripped-down trio with the bassist Ruud Jacobs and the drummer Han Bennink, the saxophone colossus blazes by Miles Davis’s “Tune Up,” swerving with utter management whereas Bennink, who’s greatest generally known as a free jazz drummer, swings alongside mightily. GIOVANNI RUSSONELLO

So far as quarantine predicaments, it may get rather a lot worse than this: You and your partner play the bass and the harp, and also you’re free to choose up your devices and pick a tune collectively in any downtime. That’s what life has been like for the harpist Brandee Youthful and the bassist Dezron Douglas, who determined within the spring that their quarantine idyll was price sharing, and commenced performing common live-streamed concert events. Some performances from these exhibits at the moment are being launched as an album, titled “Power Majeure” in a cheeky reference to the contractual clause that’s cited when one thing catastrophic — a pandemic, say — prevents a contracted gig from going down. Overlaying Alice Coltrane’s “Gospel Trane,” sharing the melody with ease, Youthful and Douglas don’t sound like they’re lamenting the time spent alone collectively. RUSSONELLO

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