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Ashley Nicole Black Is Competing Against Herself for an Emmy

Ashley Nicole Black Is Competing Against Herself for an Emmy
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Ashley Nicole Black Is Competing Against Herself for an Emmy

Ashley Nicole Black Is Competing Against Herself for an Emmy

At first, Ashley Nicole Black didn’t understand why people kept sending her the Spider-Man meme pointing to an identical Spider-Man, an image often used to joke about situations in which two incredibly similar people clash. .

But when someone Photoshopped Ms. Black’s Face on the two Spider-Mans he clicked. The 2021 Emmy nominations had just been announced and Ms Black, 36, had been nominated twice in the same category.

She was competing against herself.

Ms. Black was nominated for Outstanding Writing for a Variety Series for “The Amber Ruffin Show” and “A Black Lady Sketch Show”. Two other people have been nominated twice in this category in the past five years: John Mulaney and Seth Meyers, both in 2019.

“I still feel like that kid, who’s on the side of the playing field, that no one has noticed,” Ms. Black said in a recent video interview. But it’s just the impostor syndrome talking. Ms. Black has been nominated eight times for an Emmy: twice for writing a variety show and six times for writing a variety series. She also won once, in 2017, for her work on “Not the White House Correspondents Dinner” with Samantha Bee.

Ms. Black has written for many critically acclaimed series and shows, including “Full Frontal With Samantha Bee”, “Ted Lasso” and “Bless This Mess”. Although “A Black Lady Sketch Show” is Ms. Black’s first time as a series regular, she was a correspondent on “Full Frontal With Samantha Bee” and starred in “Drunk History” and the 2014 film “An American Education. “.

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Robin Thede, the creator of “A Black Lady Sketch Show” on HBO – who was also nominated this year for Outstanding Variety Sketch Series and twice for Outstanding Guest Actress in a Comedy Series (Yvette Nicole Brown and Issa Rae) – sees Ms. Le noir as a “force of nature and comedy”.

“I have been fortunate enough to work with her as a writer and performer and I know firsthand how ridiculously good she is either way,” Ms. Thede wrote in an email. “She is truly a powerhouse that will leave an indelible mark on this industry.”

Ms. Black described herself as “someone who observes what is going on in the world and tries to reflect it to people”. “For me,” she said, “it’s art.

She came from a family of musicians, so singing in an ensemble, she said – be it a musical theater or a performing choir – meant learning to breathe with others and sound as one voice. It set her up for when she found improv comedy, because she already knew how to collaborate – and how not to steal a scene. “I think I was picking up all the parts I needed to get to where I was going,” she said.

After graduating from the University of California, Santa Cruz in 2007, she began a doctorate. program in performance studies at Northwestern University. She hated it and was anxious all the time, she said, so her parents offered her an improv class at the Second City comedy club in Chicago to let off steam.

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When she took a comedy writing class there, a teacher took her aside to let her know she was a writer.

“People told me, ‘You should try this. You should try this, “and I had it uncomfortable,” Ms. Black said. “But ‘are you a writer? I was like, ‘yes.’ I completely changed my view of myself to be a writer first. And that’s when it all started to fall into place.

Chicago, Ms. Black said, is the best place in the world to learn comedy writing. There is an “emotion” that she found in Chicago that she appreciates in several of her associates, including Ms. Bee and Ms. Ruffin.

“What attracted me to Sam and Amber is that they admit to you that they live in the world,” she said. “And they might be upset about it, and they might be upset about it, and they might cry in front of the camera, because they’re not taken out of it.” They are part of it. “

This is the “good thing” of comedy, in Ms. Black’s eyes: what happens when characters have feelings and they have flaws. People who have been in therapy and live together are not as fun to play as, she said. A good example of a character who embodies this tension: Ashley’s perfectionist alter ego in “A Black Lady Sketch Show”.

In the series, Ms. Black plays a woman (also named Ashley) who is a bossy know-it-all. She tries to be in total control and in doing so irritates her friends. “I’m not like that and I try hard not to be,” Ms. Black said, “but it’s so much fun to play.”

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“All day long you have anxiety. You try to make sure everyone around you is comfortable, ”she said of real life. “You think about what you say and what you do and how that affects people. And then when you play these characters who aren’t like that, it’s so liberating. “

Ms. Black said she tended to be calm and a little shy, and worried that not being “turned on” all the time might disappoint people. “But I kinda felt bad about it,” she said, “because I’m just trying to be present and have honest experiences.”

During the pandemic, those experiences included spending time with her family in Los Angeles, being a hardworking dog mother to Gordi the Sato, and watching every Marvel movie ever made. “I just wanted to see the good guys win some things,” she said.

Right now she is evaluating what she wants to do next and what percentage of her time she wants to devote to each thing. Ms Ruffin wrote in an email about Ms Black: “She went from ‘writer’ to ‘eeee writer'”. .

So far, “It really made me so happy that people – oh my god I’m getting emotional – care about what I’m doing,” she said. “So I’m really thankful that someone noticed that I was working so hard. “


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