‘Bad Hair’ Review: That Weave Is Killer

‘Bad Hair’ Review: That Weave Is Killer
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‘Bad Hair’ Review: That Weave Is Killer

‘Dangerous Hair’ Overview: That Weave Is Killer

With “Dangerous Hair,” the author and director Justin Simien, greatest identified for the TV collection and film “Pricey White Individuals,” enters the post-“Get Out” renaissance in Black horror. This film builds its fright night time across the oppression Black ladies face within the type of discrimination towards their pure hair. However regardless of the possibly heavy (or heavy-handed) materials, “Dangerous Hair” is self-consciously and pleasingly campy, and it delivers a brand new cinematic monster: the sew-in weave.

Credit score…Tobin Yellan/Hulu

In 1989 Los Angeles, Anna (Elle Lorraine) is working at a music tv channel the place she hopes to change into an on-air host. She does her personal hair, having worn it in pure kinds since childhood. However kinky hair is a barrier to development at Anna’s work, the place enchantment to a white viewers is important to govt approval.

On the urging of her new boss, Zora (Vanessa Williams), Anna will get her first sew-in weave. It’s an excruciating styling session (administered by Laverne Cox), and the pin-straight weave seems to be a killer. As a result of whereas Anna could also be formidable, her weave is hungry, too. On the sight of blood, whether or not from a juicy hamburger or Anna’s interval, her new hair demonically extends, reaching out its tendrils to take in nourishment, as its bloodthirsty impulses start to own Anna.

The film is a bit tough across the edges. The anachronistic interval styling incessantly distracts and suggests the boundaries of Simien’s funds. Costumes appear like the dowdy dregs of classic shops, and the units appear inconsistently modeled, generally recalling the Nineteen Seventies and at different occasions the 2010s. Even so, this low-budget aesthetic works for the goofy B-movie high quality of the horror scenes, which depend on sensible results to encourage squirms. Mixing physique horror with monster film tropes, Simien exhibits needles digging into scalps and limitless strands of hair creeping misplaced. Avoiding soar scares, he creates thrills by pushing acquainted bodily sensations — like sitting for braids whereas tender-headed — to their extremes.

Horror gives a helpful framework for Simien’s vital voice. Black ladies have been requested to compromise their identities to fulfill white folks, and “Dangerous Hair” literalizes their sacrifices with blood, sweat and tears. The style’s conventions — mythologies should be revealed and bloodlust sated — enable Simien to take goal at racism cinematically and with out didacticism. Right here, there may be all the time an assault to outlive or a kill to mop up. Consequently, his dialogue and magnificence in “Dangerous Hair” are much less fussy than in his earlier work. Like Anna’s demon weave, Simien’s social critique gathers vitality from the gore.

Dangerous Hair
Not rated. Operating time: 1 hour 42 minutes. Watch on Hulu.

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