‘Guernica’ Tapestry Is Taken Again From U.N. by a Rockefeller
For greater than three a long time, a 25-foot lengthy canvas tapestry reproduction of “Guernica” hung exterior the United Nations Safety Council chamber, the backdrop for speeches by diplomats who have been working to avert the atrocities depicted in Picasso’s iconic antiwar portray.
However now the tapestry is gone, repossessed by its proprietor, Nelson A. Rockefeller Jr., whose household had commissioned the tapestry within the Fifties and lent it to the United Nations in 1985.
Stéphane Dujarric, a spokesman for Secretary Normal António Guterres, told reporters on Friday that Mr. Rockefeller had lately requested the tapestry again, and that it had been returned to him earlier this month.
“I really feel unhappy and a way of loss that vacant wall,” Mr. Dujarric stated. “The tapestry was not solely a shifting reminder of the horrors of battle however, due to the place it stood, it was additionally a witness to a lot historical past that unfolded exterior of the Safety Council since 1985.”
Mr. Dujarric stated he had no info on why Mr. Rockefeller — a scion of the household that gifted 16 acres of Manhattan’s East Aspect to the United Nations for its headquarters — had needed “Guernica” again. Messages left for Mr. Rockefeller on the Rockefeller Household Fund, the New York-based charitable basis, weren’t instantly returned.
“I can inform you the secretary common tried very arduous to maintain the tapestry right here however we weren’t profitable,” Mr. Dujarric stated, including that Mr. Guterres would “evaluation choices for different artwork” to adorn the wall.
Mr. Guterres, who walked previous the empty wall on Thursday to greet the brand new American ambassador, Linda Thomas-Greenfield, informed CBS Information that “it’s horrible, horrible that it’s gone.”
Picasso’s authentic portray, achieved in 1937 in the course of the Spanish Civil Battle and now hanging in a Madrid museum after a 42-year keep on the Museum of Fashionable Artwork in New York, depicted the bombing of Guernica, Spain, by Nazi German plane that just about obliterated the town and killed or wounded a 3rd of its inhabitants.
The portray’s haunting black-and-gray photographs of screaming people and animals turned “Guernica” into an everlasting image of battle’s monstrosities.
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