‘I Weirdo’ Evaluation – Gadget Clock
Who would have thought a romantic comedy on the ache of being completely different might turn out to be such ironic and well timed viewing in a worldwide pandemic? In “I Weirdo,” a kooky and revolutionary debut by Taiwanese writer-director Liao Ming-yi, a pair with OCD making an attempt to slot in to so-called “regular” society now appears like social-distancing heroes in our Covid-hit, locked-down lives. Shot and edited by Liao utilizing the iPhone XS Max, the manufacturing appears no much less vibrant for it. The film’s undiluted cuteness typically will get on one’s nerves, however the age-old message that love ails with out change and tolerance is given such a contemporary spin, it attests to the creativity and elevated sophistication of Taiwan’s new technology of filmmakers.
Regardless of worldwide competition setbacks, “I Weirdo” is off to a very good begin on this planet, profitable two main prizes on the Udine Far East Movie Pageant and the Netpac Award on the Bucheon Incredible Movie Pageant. It has a busy competition schedule forward and will simply land on a streaming service given it’s uncanny relevance to our present quarantine mentality.
After beginning out as an music video director for prime artists in Taiwan, Liao constructed a portfolio in romantic comedies and chick flicks, most notably as government director of “You Are the Apple of My Eye” (2011), one of the crucial profitable romcoms amongst millennials in Asia. Provided that background, he couldn’t resist imbuing his debut function with a fairytale air and adolescent humor.
Chen Po-ching (Austin Lin) suffers from obsessive-compulsive dysfunction, which retains him homebound. His every day routine consists of incessant hand-washing, sanitizing each nook of his home and retaining all objects in exact order, organized by symmetry and coordinating colours. On the 15th day of each month, he kits himself out with masks, gloves and a raincoat, and ventures out to purchase meals and a cocktail of disinfectants from the grocery store.
Given the protagonist’s compromised immunity to social life, romance must be exterior his radar, however the movie presents an aptly unconventional meetcute. On the best way house from his medical checkup, Po-ching spots Chen Ching (Nikki Hsieh), outfitted identical to him, inside a subway automotive. He breaks his personal routine to comply with her, which leads him to a grocery store, the place he turns into a hapless confederate in shoplifting. Ching’s OCD signs are kleptomania and pores and skin rashes when in public.
Like long-lost peas from the identical pod, they rapidly turn out to be soulmates and transfer in with one another. The script retains up the comedian momentum of their relationship scenes, corresponding to occurring “filth challenges” to check their germaphobic thresholds.
In pre-Covid occasions, the protagonists could have come throughout as freaks to many, however now that frequent hand-washing, deep-cleaning, masking up and being shut in are the brand new regular, their predicament must be much more identifiable. However, the relentlessly breezy tone and tempo has the impact of downplaying the uncontrollable anxiousness that triggers obsessive-compulsive habits, thus sugarcoating a psychological well being concern as endearing eccentricity.
On the 45-minute mark, a miracle occurs which disrupts the sample of the couple’s life. The theme shifts from the way it feels to be completely different to the hardships of co-habitation, and in the end, to the mutability of affection. Kudos to Liao for relating the darker features of emotional co-dependence, though his philosophy remains to be fairly superficial, and he overloads the plot by weaving in a second switcheroo that requires higher exposition.
Lin, who sports activities a Spock haircut, exudes boyish appeal in spades, whereas Hsieh bravely breaks the mould of typical Taiwanese romantic heroines by pushing her character’s traits to unlikable ranges.
“I Weirdo” is touted as the primary Asian fiction function to be shot totally on an iPhone (as many as 4 of the units had been deployed in some scenes). The subject material is especially suited to this format. The slim vertical body of the iPhone XS Max provides visible parameters to OCD sufferers’ boxed-in existence, and when the digital camera rotates horizontally on the 45-minute mark, the widening body dimension (side ratio 1.85:1) mirrors how one protagonist’s world expands alongside along with his modified situation.
The image high quality is so passable one hardly notices the change, aside from the best way a personality typically lurks on the fringe of the body. The digital camera’s dimension permits for terribly low-angle pictures that convey the protagonists’ topsy-turvy psychological exercise. Artwork director Wu Chung-hsien clothes the couple and decorates their houses in shiny, warring colours. Audiences could really feel like they’re inside a large bag of M&M’s, which certainly leaves a pointy impression.
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