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Margaret Nolan, ‘Goldfinger’ Actress, Dies at 76

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Margaret Nolan, ‘Goldfinger’ Actress, Dies at 76

Margaret Nolan, a stage and display actress whose gold-painted physique was used as a canvas to undertaking the opening credit of the James Bond movie “Goldfinger,” and who was additionally briefly seen within the Beatles film “A Onerous Day’s Evening,” died on Oct. 5 at her house in Belsize Park, London. She was 76.

The trigger was most cancers, her son Oscar Deeks mentioned.

In a profession predominantly within the Nineteen Sixties and ’70s, Ms. Nolan additionally appeared in quite a few BBC tv productions and in movies together with “No Intercourse Please, We’re British” (1973) and “Carry On Ladies” (1973).

In “A Onerous Day’s Evening” (1964), she had an uncredited however memorable function because the elegant younger lady seated subsequent to Paul McCartney’s grandfather at a on line casino.

Nevertheless it was the opening title sequence of “Goldfinger” (1964), which was projected onto Ms. Nolan’s physique as if it have been a display, that introduced her fame.

“Squeezed right into a gold leather-based bikini, her pores and skin painted the identical shimmering hue, the statuesque starlet Margaret Nolan (41-23-37) stood nonetheless whereas scenes from the just-finished James Bond film ‘Goldfinger’ have been projected onto her curves,” Gadget Clock reported in 2005 concerning the movie shoot, which it additionally described as “lengthy and meticulous.”

The film’s title sequence went on to be a featured exhibition on the Museum of Trendy Artwork in 2012-13.

In an archived model of her official web site, Ms. Nolan described how she was “fairly unexpectedly shot into the limelight” by the film when she was solely 20.

The filmmakers needed her to be the physique for the title sequence, however she agreed to do it provided that she got a task within the film. She ended up taking part in a masseuse named Dink who seems briefly with James Bond, performed by Sean Connery.

Ms. Nolan turned down a two-year contract to publicize the movie as a result of she mentioned she would discover it tough to dwell down such consideration and needed to be taken severely as an actress.

“Because it transpired, I couldn’t ‘dwell it down’ anyway and to today get common fan mail from Bond followers!” she wrote.

Margaret Ann Nolan was born within the Hampstead space of London on Oct. 29, 1943. Her father, Jack Nolan, was a clerk within the British Military, and her mom, Molly, was a psychiatric nurse. Her mom relocated the household to Waterford, Eire, throughout World Struggle II.

The household returned to Hampstead in 1946, and Ms. Nolan was coaching to be a instructor when she met her first husband, Tom Kempinski, who was then an actor with the Nationwide Theater.

“He satisfied me that I may very well be an actress,” she wrote on her web site.

She gave up appearing within the late Eighties to deal with homemaking and caring for her two sons. Within the early ’90s she moved to Andalusia, Spain, the place she took up drawing and portray.

Her marriage to Mr. Kempinski resulted in divorce, as did a second marriage, to Mike O’Sullivan. Along with her son, Ms. Nolan is survived by her associate, Colin Deeks; one other son, Luke O’Sullivan; and a sister, Geraldine Ross.

She started making photomontages from a few of her earlier portraits and had her work featured in exhibitions. She additionally turned politically energetic within the Staff Revolutionary Social gathering, a British Trotskyist group, her son Mr. Deeks mentioned.

She developed a ardour for permaculture, a motion that started within the mid-Nineteen Seventies whose title is a portmanteau of “everlasting agriculture” and “everlasting tradition.” At her farmhouse in Spain, Mr. Deeks mentioned, she lived off the grid and relied on photo voltaic vitality.

The director Edgar Wright mentioned on Twitter that Ms. Nolan performed a small function in his upcoming film “Last Night in Soho.” He described her as being in the course of a Venn diagram of “every thing cool within the ’60s,” having appeared with the Beatles and in a James Bond movie.

She returned to the display for “The Energy of Three” (2011), a low-budget unbiased movie that she described as a feel-good comedy that reinvented the parable of center age.

In a 2012 interview with the positioning Playerist, she was requested if she needed to flee glamour or to embrace and use it.

“I completely embraced it once I was in a position to, once I was glamorous,” she mentioned. “You don’t go on embracing it — that’s pathetic. It was simply a part of being younger and delightful.”

Alain Delaquérière contributed analysis.

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