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Miley Cyrus and Dua Lipa’s Retro Rock, and 8 More New Songs

Miley Cyrus and Dua Lipa’s Retro Rock, and 8 More New Songs
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Miley Cyrus and Dua Lipa’s Retro Rock, and 8 More New Songs

Miley Cyrus and Dua Lipa’s Retro Rock, and eight Extra New Songs

Really outrageous, blood-splattered video apart (“Rock of Love: Thelma & Louise”? The Runaways biopic if it have been directed by Ozzy Osbourne?) Miley Cyrus and Dua Lipa make a harmonious pair on “Prisoner,” a glossy duet from Cyrus’s forthcoming rock reinvention file, “Plastic Hearts.” Within the wake of her spiritually trustworthy cowl of the Cranberries’ “Zombie,” it shouldn’t be information that Cyrus has a muscular rock voice, so the shock right here is Dua Lipa, whose vocals pack as a lot punch because the monitor’s ricocheting bass line and thumping percussion. LINDSAY ZOLADZ

Steve Earle has recorded album of songs by his son, Justin Townes Earle, who was 38 when he died in August of a possible drug overdose; it’s going to profit Justin’s household. Among the many selections from his son’s in depth catalog was “Harlem River Blues,” an upbeat tune that cheerfully broadcasts plans for suicide. As a musician, Steve Earle did what older generations do: He reached again musically, discovering the ghost of a fiddle tune the place his son had heard a gospelly organ. JON PARELES

A blurry homage turns right into a duet of friends when Bruce Springsteen reveals as much as sing alongside on the finish of “Chinatown” by Bleachers, the solo mission of the producer Jack Antonoff. It’s a homage to Springsteen’s automotive love songs and arena-scale brooding — the sustained synthesizer hints at “Harder Than the Relaxation” — and to their shared dwelling state, New Jersey. Springsteen’s voice seems as if out of a mist, just like the apparition of a patron saint. His tone solely progressively turns into recognizable however looms ever bigger because the track goes on, and he bestows an iconic “Yeah, yeah, yeah, yeah” on the fade-out. PARELES

“Dimensional Stardust,” out right now, may be probably the most meticulously written and produced album that Rob Mazurek has made with the Exploding Star Orchestra in its 15-year profession — however every part concerning the file suggests a gap up and an enlargement, not a hunkering down into particulars. On “Galaxy 1000,” the poet and multimedia artist Damon Locks appears like he’s talking via a megaphone as he lets fly a number of lyrics of exuberant surrealism: “Broaden and contradiction, broaden and contraction/Refraction of rain, Galaxy 1000/Begin the sunshine that brings me dwelling, finally.” At that second the music surges: Mazurek’s gleaming cornet joins up with layers of flute, fluttering strings, and the thump of a three-person percussion part — enjoying a mixture of drums and digital beats — to chop a gap within the sky. GIOVANNI RUSSONELLO

Each single line that Florence Shaw utters within the new single from Dry Cleansing is so completely droll and quotable that I can solely select one at random and hope it intrigues you adequate to take heed to the remainder of the track: “I’ve come right here to make a ceramic shoe/And I’ve come to smash what you made.” The London-based band — who simply signed to 4AD and can put out a full-length debut subsequent 12 months — grafts post-punk grooves onto semi-absurdist poetry in a method that’s just a little paying homage to the nice Scottish band Life With out Buildings, however Shaw’s vocals are uniquely, and just a little menacingly, deadpan. (See additionally, from considered one of their EPs: Essentially the most gloriously bizarre track about Meghan Markle ever written.) “Do every part, and really feel nothing,” Shaw sings on the closest “Scratchcard Lanyard” involves a refrain, offering a becoming mantra for a track that sounds, without delay, completely over it and but full to the brim with life. ZOLADZ

With a one-word hook that sounds just like the aural equal of twerking, or maybe a cartoon character’s eyes coming out of his head, “Physique” bears the immediately legible signature of Megan Thee Stallion, the queen of Scorching Woman Quarantine. The video appears to happen in the identical woman-only utopian universe as her “WAP” clip with Cardi B, that includes cameos from Taraji P. Henson, Blac Chyna and Jordyn Woods, amongst others. “If I have been me and I might have seen myself, I might have purchased me a drink,” Megan raps, in among the best strains of the track and likewise, conveniently, one of many few strains that may be quoted in full by this esteemed publication. ZOLADZ

“I used to be 15 when the world put me on a pedestal,” Justin Bieber sings on “Monster” — a duet with Shawn Mendes that may seem on Mendes’s upcoming album, “Marvel” — persevering with the thread of “Lonely,” Bieber’s current single with Benny Blanco. Whereas the Bieber of the “Sorry” period humbly accepted private duty for his misdeeds, these more moderen songs have additionally laid among the blame on a watchful and notably unforgiving public that gave the impression to be ready for his downfall. “What if I journey, what if I fall? Then am I the monster?” he and Mendes sing on the refrain — from the imposing peak of a big pedestal within the music video, to verify the purpose will get throughout. ZOLADZ

Phoebe Bridges has radically remade 4 songs from her album “Punisher,” singing solo with string-ensemble preparations by Rob Moose. “Kyoto,” a couple of fraught, fraying relationship — “I’m going to kill you in the event you don’t beat me to it” — trades its retro rock band and horns for an association that leaves her voice way more uncovered. She’s backed by sustained ensemble chords at first, then tremolos and crescendos constructing stress, then some hints of solace however no clear decision as Bridgers resignedly concludes, “I’m a liar.” PARELES

Gwenifer Raymond, who’s Welsh, has made herself an inheritor to the meditative however virtuosic, folk-rooted however deeply idiosyncratic province of acoustic guitar enjoying, typically referred to as “American Primitive,” pioneered by musicians like John Fahey and Robbie Basho. “Hell for Sure,” from her just-released album of guitar solos, “Unusual Lights over Garth Mountain,” merges the spirit of a classic blues prepare track with a touch of mystical drone. It eases into movement however accelerates to breakneck pace, bouncing between strumming and choosing and placing grunting low strings in dialogue with keening excessive ones. The trip feels each hair-raising and predestined. PARELES

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