“I hadn’t been an individual that was overly sentimental in direction of animals earlier than,” says documentary filmmaker and naturalist Craig Foster halfway by way of My Octopus Teacher. It’s an odd admission to hear from the person who’s the co-creator and topic of one of the vital transformative items of wildlife documentary filmmaking of 2020 (the opposite being Victor Kosakovskiy’s black-and-white spectacle Gunda).
But, it is usually an aptly honest confession of a collective human blindspot – Foster isn’t the one one who has been traditionally apathetic towards animals or the ecosystems that home them.
Certainly, My Octopus Teacher is structured largely as an impossibly immersive documentary concerning the vicissitudes of marine life. However it additionally lends itself to being a blueprint that suggests maybe it’s time we as a species – identical to Foster – re-examine our ambivalence.
The premise of My Octopus Teacher veers shut to the substances on the centre of each unorthodox love story: an opportunity encounter, a tortured man, and intense emotions of longing scored to rousing piano notes. The storytelling additionally mirrors the very basis of most romantic comedies – a connection cast between two souls within the unlikeliest of circumstances saves a damaged soul from drowning, appearing as his lifeboat and turning him into a greater man (“All I might do on the time is simply consider her,” Foster says at one level like an obsessed lover). The one distinction is that the saviour here’s a manic pixie octopus.
Nonetheless, casting the documentary as a proverbial love-story is a reductive interpretation of what’s basically an achievement in marine storytelling. My Octopus Teacher is foremost, a visible sensory expertise in contrast to no different, a documentary that someway captures lightning in a bottle by being each an extraordinary report of the untapped wonders of nature as properly increasing the bounds of the already tapped human situation.
Culled from 10 years of footage, My Octopus Teacher, co-directed by Pippa Eherilch and James Reed, chronicles Foster’s year-long expedition of diving in a chilly underwater kelp forest off the coast of South Africa. When Foster began diving, it was his escape: he was burnt out, a lifetime of documenting snapping the life out of him; actively disinterested in fatherhood and utterly abandoning home duties. On the time, Foster determined that to garner a brand new perspective in direction of his personal life, his eyes wanted to have one thing new to witness. The ocean stared again at him as the apparent reply.
It was throughout considered one of his dives that Foster stumbled upon the octopus, the first protagonist. Witnessing the unusual cephalopod ignited dormant emotions in him: curiosity, empathy, affection, however extra crucially, a deep dedication to the repetition of residing. And so Foster began going again underwater to meet the octopus on a regular basis (he addresses her as “she” all through the documentary, resisting from giving her a nickname) for a complete 12 months. Within the course of, he (together with Roger Horrocks, additionally credited for the cinematography) paints an intimate portrait of the marine ecosystem and concurrently mounts a riveting character examine of a creature that has traditionally been thought of international, partially owing to it evolving in a different way than every other organism on Earth.
All through the 85-minute-long runtime of the movie, riotous, mesmerizing colors replenish the display screen as Foster (he swims with no wet-suit or an oxygen tank in order to take away any barrier between the animal and him) plumbs by way of the depth of the ocean growing a relationship with the eight-limbed mollusc. The footage is informative and absorbing: there may be the primer on marine life (we study that the shape-shifting mollusc carries the majority of its mind in its arms, and is extra energetic at evening) however Foster’s honest narration permits the viewer the posh of creating sense of the octopus as a totally rounded being.
We watch as he admires her potential to strategise and suppose on the bottom whereas looking for meals, is overcome with emotion when a shark assaults her and dismembers her arm, and virtually cheers for her when she manages to outwit one other shark. The scene-stealing sequence that paperwork how she escapes the clutches of the shark is definitely the pièce de résistance of the documentary. It’s sscorching, edited, and scored like a chase sequence in a thriller. The digital camera completely tracks the trade from the second the shark tries to prey on her to the daring escape, needling rigidity alternating between drawing the viewer away from the motion, after which inserting them proper within the thick of it with out warning.
But for a lot of My Octopus Teacher, Foster appears content material to silently observe her go concerning the enterprise of residing regardless that she has just one 12 months left to dwell. In that sense, she infuses his escapism challenge with singular goal. If the documentary works as an try to perceive the marine world, it’s primarily as a result of it’s ready to translate the sensation of being awestruck at witnessing one thing “way more excessive than our maddest science fiction.”
The vérité-style documentary manages that primarily by eschewing the normal construction of nature documentaries that deal with wildlife as objects and invariably put a distance between animals and the people capturing them on digital camera. The gap in flip, affords them the phantasm of holding a sure measure of energy over any wildlife species by advantage of holding the digital camera of their palms. The achievement of My Octopus Teacher lies in measuring that distance, after which erasing it.
By refusing to different the octopus, it treats it as a topic of the story, asking: how can people maintain any energy over organisms and ecosystems they hardly know?
The generosity of the filmmaking in My Octopus Teacher is equalled by the unfettered reception it obtained. When Netflix launched the documentary in September 2020, within the midst of a world pandemic, it hardly dominated consideration spans. The documentary had not executed the rounds of any movie festivals, a mark of cachet for any piece of filmmaking, and there have been hardly any evaluations making a case for its indispensability.
As an alternative, it was found organically by viewers internationally who appeared unanimously moved by it extra so due to how the themes hit shut dwelling in the course of the pandemic. Burnout, the lack to really feel any type of pleasure within the mundanities of day by day life, and the urgency of wanting to rediscover a zest for all times have been worries on everybody’s thoughts as we stared at an unsure future whereas being confined indoors indefinitely. The good open air was the whole lot that we collectively craved for. My Octopus Teacher fulfilled that longing, or a simulation of it, by transporting tens of millions of viewers to an unique world we have been bodily barred from travelling to on the time.
However I believe the explanation My Octopus Teacher caught on like a style pattern being propagated by the Kardashians is as a result of the movie in the end acts as a reminder that it’s at all times attainable to begin over, particularly when it’s inconceivable. That’s the correct of balm we want after a 12 months that has snatched away greatest laid plans together with any certainty of how our future would appear like.
When the movie began streaming on Netflix, nobody would have predicted that it could find yourself being an awards contender to reckon with. A 12 months later, it’s the most award-garlanded documentary of the 12 months, having just lately picked up honours on the Critics Selection Awards and a BAFTA. In a few week, it might additionally go down in historical past as an Oscar winner. That its Academy win is sort of assured falls in step with the idea My Octopus Teacher posits: the true which means of life may simply be 70 % made up of water.
My Octopus Teacher is streaming on Netflix. Oscars 2021 will air in India on 26 April.