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Sony Pictures’ Stage 6 Films sets up a sequel to the innovative 2018 thriller Searching

Sony Pictures’ Stage 6 Films sets up a sequel to the innovative 2018 thriller Searching
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Sony Pictures’ Stage 6 Films sets up a sequel to the innovative 2018 thriller Searching

Sony Photos’ Stage 6 Movies units up a sequel to the progressive 2018 thriller Looking

Sony Photos is shifting ahead with a brand new sequel to their critically-acclaimed 2018 thriller Looking, although it will not be a direct follow-up.

The unique thriller adopted David Kim (John Cho), whose 16-year-old daughter Margot (Michelle La) goes lacking, informed by means of an progressive format often called ‘Screenlife.’

The sequel will inform a model new story from the unique, with Will Merrick and Nick Johnson, who labored on the unique Looking, making their directorial debuts, by way of Deadline. 

Sequel: Sony Pictures is moving forward with a new sequel to their critically-acclaimed 2018 thriller Searching, though it won't be a direct follow-up

Sequel: Sony Photos is shifting ahead with a brand new sequel to their critically-acclaimed 2018 thriller Looking, although it will not be a direct follow-up

New directors: The sequel will tell a brand new story from the original, with Will Merrick and Nick Johnson, who worked on the original Searching, making their directorial debuts, via Deadline

New administrators: The sequel will inform a model new story from the unique, with Will Merrick and Nick Johnson, who labored on the unique Looking, making their directorial debuts, by way of Deadline 

The sequel can even showcase what’s described as, ‘an advanced Screenlife thriller format, the place the story unfolds by means of the screens (telephones, laptops, and so on.) of the characters.

The primary film adopted David as he broke into his daughter’s laptop computer and different gadgets to seek for clues to her whereabouts, whereas a police detective (Debra Messing) works on the case as nicely.

Merrick and Johnson are directing from a script they’re writing themselves, based mostly on a narrative concocted by Looking director Aneesh Chaganty and co-writer Sev Ohanian, who will each function producers on the sequel.

First movie: The first movie followed David as he broke into his daughter's laptop and other devices to search for clues to her whereabouts, while a police detective (Debra Messing) works on the case as well

First film: The primary film adopted David as he broke into his daughter’s laptop computer and different gadgets to seek for clues to her whereabouts, whereas a police detective (Debra Messing) works on the case as nicely

Return: Merrick and Johnson are directing from a script they're writing themselves, based on a story concocted by Searching director Aneesh Chaganty (left, with John Cho) and co-writer Sev Ohanian, who will both serve as producers on the sequel.

Return: Merrick and Johnson are directing from a script they’re writing themselves, based mostly on a narrative concocted by Looking director Aneesh Chaganty (left, with John Cho) and co-writer Sev Ohanian, who will each function producers on the sequel.

Additionally producing is Timur Bekmambetov, who pioneered the Screenlife style by producing movies reminiscent of Unfriended and Profile, plus Natalie Qasabian and Adam Sidman. 

Jo Henriquez will function government producer and Congyu E is co-producing the venture, which is predicted to start out filming this spring.

‘With such restrictive visible parameters, a film like Looking 2 requires a contemporary visible model to separate it from the unique,” Chaganty stated. 

Screenlife: Also producing is Timur Bekmambetov, who pioneered the Screenlife genre by producing films such as Unfriended and Profile, plus Natalie Qasabian and Adam Sidman

Screenlife: Additionally producing is Timur Bekmambetov, who pioneered the Screenlife style by producing movies reminiscent of Unfriended and Profile, plus Natalie Qasabian and Adam Sidman

‘I’ve contributed what I can to this rising sub-genre. But when there’s anybody on the planet with the potential to take it even additional, it’s Nick and Will, who have been there from the start,’ he added.

Bekmambetov added, ‘Looking is thus far probably the most profitable film shot within the Screenlife format and the sequel is ready to turn into a brand new milestone.’

‘What appeared like an experimental method just a few years in the past has been given a momentum now with increasingly trade professionals turning to this digital filmmaking method,’ he added.

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Sub-genre: ‘I’ve contributed what I can to this rising sub-genre. But when there’s anybody on the planet with the potential to take it even additional, it’s Nick and Will, who have been there from the start,’ he added

Merrick and Johnson each served because the editors and the ‘administrators of digital images on the unique Looking.

Looking debuted at Sundance in January 2018 to rave evaluations, incomes each the Alfred P. Sloan Award (given to the movie that embraces science and/or know-how) and the NEXT Viewers Award.

It was picked up for $5 million by Sony Photos shortly after its debut, and arrived in theaters in August 2018, with a 92% Recent ranking on Rotten Tomatoes and a worldwide gross of simply over $75 million, towards a finances of simply $880,000.

Editors: Merrick and Johnson both served as the editors and the 'directors of virtual photography on the original Searching

Editors: Merrick and Johnson each served because the editors and the ‘administrators of digital images on the unique Looking

Rave reviews: Searching debuted at Sundance in January 2018 to rave reviews, earning both the Alfred P. Sloan Award (given to the film that embraces science and/or technology) and the NEXT Audience Award

Rave evaluations: Looking debuted at Sundance in January 2018 to rave evaluations, incomes each the Alfred P. Sloan Award (given to the movie that embraces science and/or know-how) and the NEXT Viewers Award

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