The Mosquito Philosophy is a 1st-of-its-kind experience for Tamil films
The Mosquito Philosophy is the primary mumble core movie made in Tamil, it borrows closely from the dogme95 motion. Shot in 6 hours with none written scripts or dialogues, ‘The Mosquito Philosophy’ doesn’t have retakes both. Cinematographer Jathin Shaker Raj, additionally the co-producer, shot your complete film impromptu with accessible lights. Moreover the lead actor Suresh and the director, nobody among the many solid and crew knew in regards to the story. ‘The Mosquito Philosophy’ screened on the 18th Chennai Worldwide movie pageant in Tamil cinema competitors class together with the likes of Suriya’s Soorarai Pottru & Vijasethupathy’s Ka Pe Ranasingahm.
In a narrative that is deceptively easy, the Mosquito Philosophy asks many questions: What occurs when a 40-year-old publicizes he is marrying a 25-year-old to please his mom? How does society react? Can ‘pleasant banter’ change the course of a relationship? What are the issues inherent in a cross-generational match, and may they be overcome? Why is the bride typically the final to return into the image when a marriage ceremony is finalized and deliberate?
The Mosquito Philosophy is about Suresh, a mid-career skilled, who travels from Bengaluru to Chennai to ask his buddies to his ‘shock’ marriage ceremony. What ensues is a longish chat over drinks, when a society’s attitudes in the direction of magnificence and ‘attractiveness,’ youth and ageing, and intimacy and love are slowly and subtly unraveled. What is perceived as proper and mistaken is coloured by the lens of his buddies’ experiences. For one in every of them, marriage is the ‘mutual sucking of blood.’ A feminist undertone poses questions the ladies may need to ask.
The Mosquito Philosophy is thus a examine not simply of ageist prejudice but additionally of non-public motives and actions. The pursuit of ‘fact’ seems as ironic and subjective because the characters’ quest for love and success. The Mosquito Philosophy’ is Jayaprakash Radhakrishnan’s second movie after the critically acclaimed movie LENS.
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