Theater to Stream: Kristina Wong Runs for Office and ‘Oedipus El Rey’

Theater to Stream: Kristina Wong Runs for Office and ‘Oedipus El Rey’
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Theater to Stream: Kristina Wong Runs for Office and ‘Oedipus El Rey’

Theater to Stream: Kristina Wong Runs for Workplace and ‘Oedipus El Rey’

As Covid continues unabated in the US and an rising variety of nations return into lockdown, audiences are nowhere close to returning to reside theater en masse. Fortunately, theater itself retains going — resourcefulness is a part of its DNA.

In fact, some of us are positively extra enterprising than others. Jeremy Wein’s scrappy New York upstart Play-PerView, for instance, continues its streak of dynamic staged readings with two thrilling outings. First, Armie Hammer stars in Howard Emanuel’s “Sundogs” as Joe Garnier, a soldier within the U.S. Military (Sunday by Nov. 12). Scorching on its heels is a reunion of Lydia R. Diamond’s well-liked “Toni Stone,” headed as soon as once more by the wondrous April Matthis within the title position — the real-life first girl to ever play skilled baseball. (Nov. 10-14; each reveals at

Some established establishments have risen to the problem as nicely. In Los Angeles, the Geffen Playhouse is cranking out playful interactive productions that often promote out. Subsequent in line is “Citizen Detective,” written and directed by Chelsea Marcantel (“All the pieces Is Great”). Capped at 24 individuals at a time, the present splits viewers members into squads and dispatches them to unravel a Hollywood homicide. (Nov. 10-Dec. 20;

And there’s a lot extra.

Interplay comes from a extra sudden quarter in Metropolis Lyric Opera’s high-tech, trendy “Threepenny Opera,” which integrates prerecorded and reside segments in addition to some viewers participation. Rising baritone Justin Austin, who was forged in Lincoln Heart Theater’s postponed manufacturing of Ricky Ian Gordon and Lynn Nottage’s “Intimate Attire,” stars because the rogue Macheath. (By means of Nov. 15;

We have now come a good distance for the reason that early days of digital theater, when syncing music challenged streaming expertise. Like most months, November brings star-studded profit concert events. Who would flip up their noses at Robert Cuccioli, Darius de Haas, Jarrod Emick, Cady Huffman, Ben Vereen and Vanessa Williams crooning for “Broadway Celebrates Veterans Day,” a live performance organized by the Stage Aurora Theatrical Firm? (Saturday by Nov. 11;

Extra intimate, the York Theater’s new appointment collection, Broadway’s Nice American Songbook, bears a self-explanatory title and is hosted by Michael Feinstein; it ought to be a balm for cabaret lovers. (by Dec. 16;

In Southern California, Heart Theater Group is protecting busy with new digital productions filmed on the Kirk Douglas Theater, which has been reworked right into a soundstage. Within the politically minded comedy “Kristina Wong for Public Workplace,” Wong recounts her expertise as a efficiency artist and theater maker who bought elected as a consultant on the Wilshire Heart Koreatown Neighborhood Council, an advisory board to the Metropolis of Los Angeles. (By means of Nov. 29;

C.T.G. can also be presenting readings of the L.A.-based playwright Luis Alfaro’s illuminating, elemental transpositions of Greek tragedies to Chicano America. First out is “Oedipus El Rey” on Nov. 13, adopted by “Mojada” (that’s, “Medea”) on Nov. 20 and “Electricidad” (a remodeling of “Electra”) on Nov. 22.

Transferring eastward, Chicago’s prestigious Steppenwolf Theater kicks off a promising digital season with James Ijames’s 20-minute piece, “What Is Left, Burns.” Directed by Whitney White it stars the terrific Steppenwolf ensemble members Ok. Todd Freeman and Jon Michael Hill as former lovers who reconnect when they’re at completely different phases of their lives and careers. (Opens Nov. 11;

The famously prickly monologuist Daniel Kitson is touring empty British theaters together with his newest piece, “Dot.Dot.Dot.” Impressed by six months of pandemic dwelling, the present was conceived particularly for these ghostly places; contemplating Kitson’s typically adversarial relationship with critics, he’s most likely pleased they’ll’t be there within the flesh. (By means of Nov. 27;

A extra avuncular solo is “Being Shakespeare,” by which the nice character actor Simon Callow (“Tuesdays at Tesco’s”) takes us by Jonathan Bate’s recounting of a sure playwright’s life and work. The efficiency, filmed in 2011, kicks off Shakespeare Month on the favored YouTube channel The Reveals Should Go On! (By means of Sunday;

Doubling the variety of heat our bodies onstage is a revival of a revival of Lanford Wilson’s affecting Pulitzer Prize-winning duet “Talley’s Folly,” a play equal elements melancholy and romantic. Kate Hamill (greatest recognized for her stage variations of such literary classics as “Sense and Sensibility” and “Dracula”) and her real-life husband, Jason O’Connell, painting cautious souls tiptoeing round love in a full manufacturing captured at Syracuse Stage final month. (Nov. 11-22;

High quality streaming theater for the entire household has not been all that straightforward to search out, so an adaptation of Matt de la Peña and Christian Robinson’s Newbery Medal-winning “Final Cease on Market Road” stands out. The present, a few younger boy and his grandmother’s energetic bus trip after church, incorporates a rating by the father-son crew of Lamont Dozier and Paris Ray Dozier (you could acknowledge dad’s identify from many Motown hits). A joint effort from Minnesota’s Kids’s Theater Firm and Chicago Kids’s Theater, this full staging was recorded in 2018. (Nov. 9-22;

Lesser-known American tuners are getting British productions which might be price investigating. A musical in regards to the writing of a musical, by and starring the makers of that musical, “[title of show]” is the epitome of meta. Now it’s again with a livestream from the London Coliseum, which ought to verify that this self-referential onion works even when layers are lacking, i.e., the forged was not concerned within the unique run. (Nov. 12-14;

In the meantime, Finborough Theater has made obtainable its 2016 staging of Joshua Schmidt and Jason Loewith’s “Including Machine: A Musical.” The present, which ran Off Broadway in 2008, is a modernist satire that’s as bitingly bleak — its protagonist is known as Mr. Zero — as it’s good. The seize is totally devoid of frills, but it surely’s nonetheless a worthy watch. (By means of Nov. 12;

The Rattlestick Playwrights Theater and WNET’s All Arts current the digital premiere of Dael Orlandersmith’s solo play “Till the Flood,” primarily based on interviews she performed after the capturing of Michael Brown by a white police officer in Ferguson, Mo. Orlandersmith’s efficiency, captured throughout the Rattlestick run two years in the past, has a fervid but managed depth. (From Nov. 15;

The deep divisions working by the US additionally undergird “DEBATE: Baldwin vs Buckley,” by which the corporate American Vicarious re-enacts the 1965 public debate between James Baldwin (Teagle F. Bougere) and William F. Buckley Jr. (Eric T. Miller) on the Cambridge Union. (By means of Nov. 15;

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