‘To the Ends of the Earth’ Overview: Searching for a Massive Fish, and Extra
Regardless of the fascinating landscapes explored by its central characters, the prevailing temper of “To the Ends of the Earth,” written and directed by Kiyoshi Kurosawa, is that of disappointment.
Atsuko Maeda performs Yoko, a younger lady who hosts a Japanese journey program. Irrepressibly perky for the digicam, Yoko is quiet and downbeat in between setups. She and a small all-male crew are capturing in Uzbekistan; she wades into Aydar Lake and describes its origin earlier than moving into a ship to attempt to catch a mysterious massive fish referred to as a “bramul.” The surly Uzbek fisherman she’s paired with grouses that he can’t catch the fish if a lady is current.
The present’s sulky director, Yoshioka (Shota Sometani), virtually invariably rejects Yoko’s concepts for segments as “not good TV.” When she shares with the sympathetic cameraman Iwao (Ryo Kase, lately seen in “Hill of Freedom”) her ambitions to turn out to be a singer, he tells her that she is going to neglect these wishes in time.
Yoko stays recreation, doing a number of takes during which she goes on an unsafe-looking experience on the earth’s least fun-looking “enjoyable park.” She worries about her boyfriend, a firefighter in Tokyo Bay. And she or he strikes out on her personal, searching for one thing not even she’s positive of. She finds slightly of it in Tashkent’s Navoi Theater — which was partly constructed by Japanese prisoners of struggle in the course of the Nineteen Forties.
Kurosawa is greatest recognized in the USA for his idiosyncratic horror photos (“Pulse,” “Creepy,” and others). This, although, is a comparatively quiet, delicate portrayal of cross-cultural alternate and confusion, and a lady in search of herself in a spot that’s unusual to her. Kurosawa’s command of movie type provides the film an embracing magnetism regardless of its seeming thinness of plot.
To the Ends of the Earth
Not rated. In Japanese and Uzbek, with subtitles. Working time: 2 hours. Watch by means of Metrograph’s digital cinema starting Dec. 11.
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